

Series: Way of the West 2010 Lloyd Gill examines the dialogue between characters in film. He finds characters in Westerns most absurd and likes to paint this notion of absurdity through depicting the very scenes they exist in and entering alternating text into his paintings. His paintings are primarily figurative with gestural expression. “I like to feel the paint flow and allow for the paint to render its own body” Lloyd paints thickly and is influence by the German expressive painter Georg Baselitz, for his use of freedom with paint and fluidity. He wants the paintings to represent the films he watches, mostly Westerns, but to have there own identity through changing the original colours, to colours which are more spontaneous in their direction. Series Film Noir 2011 Lloyd finds dialogue in old films full of wisdom and wit. He draws from the very scenes characters Humphrey Bogart played and who optomised romantic gestures. The witty dialogue written for films such as ‘The Big Sleep’ has been juxtaposed with different scenes they were not originally intended for in Lloyd’s artwork. The purpose here is to mock the mechanics of the original story written by Raymond Chandler and to divide the script in such a fashion as to make the scenes humorous. These drawings on show in the exhibition are preliminary studies for work, which will be oil on canvas. Lloyd enjoys working in ink and pencil on paper and finds that studies always lead to better developed work.
He recently participated in The Big Ink, Charity Art Auction, Amersham Arms, New Cross, London 2009. Over two thousand pounds was raised at the auction for Cancer research. Lloyd has shown his work at his Gallery on numerous occasions. Most recently is the exhibition he curated titled 'Art & Language' May - June 2010. |