

Robert Lang Statement Robert’s work explores the complexities of communication through painting and how its production functions within the wider social context. Robert’s paintings are usually derived from low quality photographic sources and often re-present archetypal romantic motifs. Robert is interested in the model of the Romantic as an allegory for personal / collective anxieties - of inward reflection while maintaining the influence of and a reciprocal dialogue with the external. This also raises ideas concerning the subjective, which is furthered through the element of aesthetic play. The economy of touch and thinned-down paint reflects the lack of detail present in the low quality source images, but Robert is also selective in the remnants carried over. Tentative washes and daubs mark the support and display an urgency to reform the essence of the image but this process also serves to revere the problems in its translation. This affirms the cyclical nature of his practice as ideas appear and return again under different disruptions. The motivation of his practice is an attempt to comprehend this logic by putting forward a position that is enactive, performative, spectative, analytical and suspect – a position that is then naturally mimicked and repeated by the viewer. Education Exhibitions Awards 2004 Innes Wilkin Art in Architecture Prize
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